Chan Woo Park's (Old Boy) latest film, The Handmaiden (2016) is a masterpiece. It is the adaptation of Sarah Waters' novel Fingersmith, which is set in London during the 19th century, but the film is set in Korea in the 1930s, under Japanese colonial rule. The film is about the convoluted relationship between a clever Korean pickpocket (Tae-ri Kim), a Japanese heiress (Min-hee Kim), and the swindler (Jung-woo Ha) who seeks to use them both for his own gain. There are some very sensual scenes between the characters as a love triangle develops. Much of the success of the film is due to the the strong performances from these three main actors. The film has several twists, turns, and surprises. So much so that is so its 144 minute runtime feels much shorter. It was thrilling in the sense I didn't know how it was going to end after I thought I had worked out what was gong on. I suppose much of the credit must be given to the source material, but there's no doubt that Park, best known for his violent revenge thrillers, is at the top of his game as he brings this period tale to vivid life. The art direction and cinematography only adds to the beauty and sense of displacement in this compelling film.
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