I always like to review the books I read in a given year and identify trends in my reading. This year I read 57 books, less than last year-I suppose some of them were longer than those read in 2013. Anyway, for 2014, one trend I noticed was books by South American masters: Conversations in the Cathedral and The Real Life of Alenjandro Mayta by Mario Vargas Llosa, Blow-Up and Other Stories Julio Cortazar, and The Autumn of the Patriarch by Gabriel Garcia Marquez.
I also always try to find time for a classic or two: The Immoralist Andre Gide, Dead Souls by Nikolai Gogol, Under the Jaguar Sun Italo Calvino, Days: A Tangier Diary by Paul Bowles, Two Serious Ladies by Jane Bowles, Scoop by Evelyn Waugh, A Clergyman’s Daughter George Orwell, The Leopard by Giuseppe Tomasi di Lampedusa, and Young Hearts Crying Richard Yates.
Cinema and films have been a constant reading subject in recent years: Japanese Cinema: Texts and Contexts (Arthur Phillips and Julian Stringer editors), BFI: An Actor’s Revenge by Ian Treadwell, BFI: L’Adventura by Geoffrey Nowell-Smith, The Japanese Film by Joseph Anderson and Donald Richie, BFI: Il Conformista by Christopher Wagstaff, Shohei Imamura (James Quandt editor), The Cinema of Naruse Mikio by Catherine Russell, The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaajte, Ozu and the Poetics of Cinema by David Bordwell, and The Cinema of Takeshi Kitano: Flowering Blood by Sean Richmond.
I am often inspired ot read certain books in anticipation of / or while travelling: (Vietnam): Matterhorn by Karl Malantes, (Italy): Good Italy Bad Italy by Bill Emmott and Naples ’44 by Norman Lewis, (Brazil): Granta 121: Best of Young Brazilian Novelists John Freeman (editor).
And travel itself is often a subject of my reading: Travels Without My Aunt by Julia Llewllyn (also about Graham Greene), Granta 124: Travel Josh Freedman (editor), and Last Train to Zona Verde: My Ultimate African Safari by Paul Theroux.
Contemporary fiction is also always a constant: Salvador by Joan Didion, The Pale King by David F. Wallace, The Lowland by Jhumpa Lahiri, and Americanah by Chimamanda Ngozi Adichie.
Japanese literature is another constant: Botchan and Kokoro by Natsume Soeseki, The Changeling by Kenzaburo Oe, Palm-of-the-Hand Stories, Snow Country, and Thousand Cranes by Yasunari Kawabata, and The Tale of Genji by Shibiku Murasaki.
And this is related to books about Japan, given it's my country of residence: Sakamoto Ryoma and the Meiji Restoration by Marius Jansen, The Inland Sea and Japanese Portraits by Donald Riche, Tokyo from Edo to Showa 1867-1989 and Genji Days by Edward Seidensnicker, Ways of Forgetting, Ways of Remembering by John Dower, A Curious Madness: An American Combat Psychiatrist, a Japanese War Crimes Suspect, and an Unsolved Mystery from World War II by Eric Jaffe, and tangentially related-The Shochu Handbook by Chris Pelligrini.
Nonfiction is also a major category with various subjects: (autobiography): Little Failure by Gary Shteyngart, (biography): Greene On Capri by Shirley Hazzard (essays-mostly films): Totally Tenderly Tragically by Phillip Lopate, (rock music): Rocks Off: 50 Tracks That Tell the Story of the Rolling Stones by Bill Janovitz, and (TV): BFI: Deadwood by Jason Jacobs.
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