Looper (2012) by
Rian Johnson is a very entertaining film—part Blade Runner and part Terminator.
T is the story of a futuristic society where time travel is invented and then
banned, however, the crime syndicate uses it to dispose of people who get in
their way and send them into the past to be killed by assassins known as loopers.
I like how Johnston sidesteps the time travel inconsistencies in a scene where
the present day looper meets himself from 30 years in the future. The ending is
inventive and original. This was one of the more entertaining films I’ve seen
this year.
I was intrigued
by The Loneliest Planet, a 2012 film directed by Russian-American Julia Loktev.
It is based on a short story, “Expensive Trips Nowhere” from Tom Bissell’s
engaging collection God Lives in St.
Petersburg, which I have read and enjoyed. This story also can find antecedents
in Ernest Hemingway’s short story “The Short Happy Life of Francis
Macomber”-where a man fails to rise to the occasion to protect his woman in
front of a more masculine, confident guide. Loktev’s film was made on location
in the Caucus Mountains in the former Russian state of Georgia. So there is
some breathtaking scenery, but the pacing is quite slow with little dialogue.
However, it raises some interesting questions about gender roles and what sort
of behavior that women truly value.
When I first read
about Richard Linklater’s film Bernie (2012), I felt somewhat dubious about the
storyline. However, I should have known better since Linklater always makes
films that are if nothing else interesting. This was more than interesting, but
hilarious in some parts and Jack Black does the best work of his career and
there are some great sequences from the supporting cast of the neighbors who
provide commentary on the story throughout the film, including another great
turn from Matthew McConaughey, and Shirley McClain nails her part as well. It
was much better than I anticipated.
Take This Waltz (2012) is a Canadian romantic comedy directed by former actress Sarah Polley
that has gotten a lot of critical accolades. It stars Michelle Williams, Seth
Rogen, Luke Kirby, and Sarah Silverman. I think it was much inferior to the
other highly acclaimed romantic comedy of the season, Silver Linings Playbook. I suspect Williams is supposed to be one
of those quirky Audrey Hepburn types, but I found her and her relationship with
Rogen and Kirby to be cloying and annoying.
Zero Dark Thirty (2012) by Katherine Bigelow was one of the most hyped films of the holiday
season. And while I enjoyed it, I don’t think it quite lived up to the hype. It
is something like a procedural to show how CIA analysts followed up
intelligence to link Osama Bin Laden’s most trusted courier with the man
himself. It depicted torture, which was said to have produced some leads that
lead to the assassination. However, it also showed the callousness of
collateral damage as some innocents were killed during the operation that took
out Osama Bin Laden. That action is thrilling and tense, despite the fact that
the audience knows the ending, but it took two hours to get to that sequence.
It seemed like
the latest installment of the Bourne franchise, The Bourne Legacy (2012)
directed by Tony Gilroy didn’t as good as reviews as earlier installments. I am
at a loss as to why that was. I found this installment much easier to follow
and thought Jeremy Renner put in a fine performance and there were plenty of
great chase sequences in exotic locales. In fact I think it might even make my
list of top 10 films for 2012.
I finally got to
see the much-talked about documentary, Waiting For Superman (2010), that looks
at the failing educational system in America. It was an extremely well-made
documentary by director Davis Guggenheim that essentially echoes my opinion
that all schools should be charter
schools. But it also points out how teacher unions work against the best
interest of children and education by making it all but impossible to fire poor
or ineffective teachers.
I was surprised
by how much I enjoyed Stephen Chbosky’s film adaptation of his novel, The Perks Of Being A Wallflower (2012). It is an enjoyable coming of age drama that deals
with some dark material. And it seems to have been set in the mid 80s and
brought back a lot of memories regarding my own high school experience: the new
wave fashions and music, Rocky Horror Picture Show, etc. The soundtrack was
particularly great, with songs like, “Asleep” by The Smiths, “Teenage Riot” by
Sonic Youth, “Come on Elieen” by Dexy’s Midnight Runners, “Low” by Cracker,
“Tugboat” by Galaxie 500, “No New Tale To Tell” by Love and Rockets, “Heroes”
by David Bowie, “Dear God” by XTC, “Temptation” by New Order, “Don’t Dream It’s
Over” by Crowded House, “Evensong” by Innocence Mission, “Pretend We’re Dead”
by L7, “Counting Backward” by Throwing Muses, and “Araby” by The Reviers-some
of which I haven’t heard in more than a decade.
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