I know a little about The Fall and like the little I've heard, but they have so many albums that it's a little bit intimidating to try and figure out where to start hence the AV Club's write up is useful:
Why it’s daunting: At more than 30 years and (with the new Your Future Our Clutter) 28 studio albums, The Fall is one of the most prolific and longest-running bands to ever squirm out of the British post-punk scene, but its frequent stylistic shifts—thanks primarily to leader Mark E. Smith, who tends to sack his bandmates whenever the wind changes—makes it difficult for newcomers to find a proper point of entry. The group’s biggest fan, John Peel, once famously said that the reason he loved his favorite band so was that “they are always different; they are always the same,” by which he meant that Smith’s caustic speak-sing renders even his greater leaps of faith (into say, flaccid Eurovision synth-pop or mock country) into something that’s still unmistakably The Fall.
But by that same token, neophytes could easily come away with a blinkered or even completely inaccurate impression of what the band is capable of, based solely on a handful of out-of-context songs. Not helping matters: a seemingly bottomless well of redundant, repackaged compilations, assemblies of alternate studio takes, and live albums that confuse even the most diligent collectors. And did we mention that The Fall’s most consistent qualities are its tendency toward repetition and abrasion, while Smith’s hectoring, peculiarly pronounced-ah! vocal style is often put into the service of freeform absurdist narratives full of slanting Wyndham Lewis and H.P. Lovecraft references, inside jokes about obscure British estates and long-gone politicians, and surrealist wordplay that values meaning less than rhythmic punch? Add all that to Smith’s hunchbacked, cantankerous anti-charisma, and it’s little wonder The Fall has always retained an air of cult exclusivity.
Possible gateway: 50,000 Fall Fans Can’t Be Wrong: 39 Golden Greats
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