Charles Willeford was a man who knew a lot about many different subjects. His novels always give him an opportunity to show his intimate knowledge of the the South and Miami in particular. In addition, I learned a lot about the world of cock fighting from his novel The Cockfighter. It is clear from the novel that he wrote after that, Burnt Orange Heresy (1971) that he also knows a fair bit about art and art collecting. In fact, I learned that after the war he spent a few years in Peru and LA trying to establish himself as a painter. In this novel, which is also a mediation on art and the role of critics in art, up and coming art critic James Figueras is offered a proposition that can further his career by interviewing a fictional, reclusive French “Nihilist surrealist” named Jacques Debierueart, who is said to be the missing link between surrealism and abstract art. This proposition includes stealing a painting for an equally eccentric collector who is hosting the aging French artist in Florida. Figureas brings his buxom, midwestern school teacher girlfriend, Bernice Hollis in on the gambit to tragic result. I love the details like Figeras' clothes like his canary yellow jumpsuit and specific descriptions of meals eaten by the protagonist among other details. It is another fascinating and entertaining neo-noir novel from Willeford.