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November 30, 2006

Singapore & Japan: In The Same Boat

I came across this in Slate's Human Nature colum today:

A birth dearth is forcing Singapore to promote sex. The birth rate there is 30 percent below what's needed to replace the population. One big reason: Economic pressure makes Singaporeans work so hard, they have no time or energy for sex. The government warns that if births don't increase, the country will need more immigrants. So, it's promoting sex therapy, loosening its control of porn, and offering benefits to working moms. Optimistic liberal view: Nature 1, Repression 0. Pessimistic liberal view: Capitalism 1, Nature 0. Cynical liberal view: Xenophobia 1, Prudery 0. (For Human Nature's take on birth control and "girth control," click here. For the shift from sex to cybersex, click here.)

Japan hasn't gone to the same lengths as Singapore...yet, but I think these reasons apply to Japan as wel. However, there are some big differences, for example, they haven't offered benefits to working moms. And I think the female workforce in Japan is underused and that will have to change in the future. I also think that they will eventually have to open the country to immigration cancelling out the "xenophobia factor." I also agree with the "pessimistic liberal view"-why does the coutnry have to grow economically-can't it just become more effeicient?

November 29, 2006

Pesce

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This cozy little Italian restaurant, Pesce, on nearby Sakura Namiki is a favorite because of it's simple but tasty Italian dishes. I also like to have lunch there because they have seating outside. It looks like I wasn't the first to blog about it.

November 28, 2006

You Tube & Guitar Virtuosity

Here's a link to the latest Chuck Klosterman colum in Esquire, funny stuff as usual:

At some point during the past year, I assume you have consumed a news story regarding YouTube.com. This assumption is based on the fact that there have been 16,578,000 stories about YouTube.com written in 2006, roughly 20 percent of which were then read aloud into the lens of a camera phone and posted on YouTube.com.

These articles fall into three general categories:
1) "This reporter thinks YouTube is awesome."
2) "This reporter believes the content of YouTube is insane."
3) "This reporter finds YouTube to be insane in a specifically awesome way, and this is going to revolutionize marketing, even though no one (including this reporter) is quite sure how that will work."

I have yet to meet a person (who is not a copyright lawyer) who hates YouTube for any reason whatsoever. YouTube is slightly less popular than oxygen, but it currently has a higher approval rating than wood. And while I'm still mystified as to what compels the average citizen to upload the opening credits of Head of the Class onto a Web site he doesn't own, I completely understand why other people enjoy watching such clips. It kills time, and it makes it infinitely easier to experience the past (and these are the things that make life worth living). Moreover, I've started to notice another positive impact of this technology, and it's something I would have never anticipated: Completely by accident, YouTube is fostering the rediscovery of rock virtuosity, particularly as it applies to the guitar.

November 27, 2006

The Road To Guantanamo

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I'm currently reading another book on terrorism for the book club (and some Balzac for fun) and thought that The Road To Guantanamo might be a good movie to watch to get me in the mood. However, this book is about the history of terrorism and the mind of the people who are driven to such acts.

The movie is about some English-Pakistani young adults who wander into Afghanistan and are captured and imprisoned in Guantanamo. So, ther really wasn't any connction between the two. I guess the most interesting aspect of the film for me was that Michael Winterbottom directed it-you never know what he'll come up with next-he's made some really great films (24 Hour Party People, Welcome To Sarajevo) and some real crap ones (8 Songs), but no two are ever the same. But it feels like anti-American propaganda, granted their treatment of enemy combatants has been horrible-so maybe it is well-deseved. But I can't help but think these guys were a little messed in the head and naive to go into a war zone without considering the consequences-much like the Japanese backpacker who got beheaded when he went to visit a friend there. Did they deserve it ? Were they teated correctly? No, but it could have been avoided if they hadn't felt the need to find adventure in awar zone. They said they went o help with out a plan no contacts or organizational plan or money-sounds suspicious to me. Interesting blend of documentary footage and dramatic re-creation.

November 26, 2006

2006 NY Times 100 Notable Books

The annual NY Times 100 Notable Books list is out. As usual there are a lot of interesting looking titles on the list. I have only read one selection, the excellent Black Swan Green by David Mitchell, this year. However, I most certainly will read The Road by Cormac McCarthy and Consider the Lobster: And Other Essays before the year is up. Other titiels that I am intersted in reading include: The Dissident by Nell Freudenberg, The Possibility of an Island by Michel Houllenbecq, and Twilight of The Superheros by Deborah Eisenberg.

Wong Kar-wai in America

Wong Kar-wai's latest film is an Englsih language film, My Blueberry Nights, with native Englsih speaking actors set in America. It looks as if this one will be finished in a more reasonable time frame that the last couple of films(2046, In The Mood For Love) he has made which had taken years for completion. Here's an exerpt from The NT Times:

Mr. Wong, 48, is keen to describe “My Blueberry Nights,” a road movie shot in New York, Memphis, Las Vegas and Ely, Nev., with a cast that also includes Natalie Portman, Rachel Weisz and David Strathairn, as a new beginning. His last film, “2046,” was planned as science fiction but demonstrated the gravitational pull of the past as well, succumbing to the hothouse delirium of 1960s Hong Kong. A kaleidoscopic head rush, “2046” quoted so extensively from Mr. Wong’s earlier work that it felt like a midcareer retrospective unto itself.

November 24, 2006

No Second Chances

Marxy, of the Neomarxisme blog, has an interesting post/analysis of how structured Japanese society is in relation to employment:

No Chances in the Early Days of the "Second-Chance Society"

As reported on 2-ch's Itai News Blog, Kinki University in Osaka is telling juniors they must take a job right outside of graduation in the traditional "shinsotsu saiyou" (新卒採用) system. Why? "Because there are no second chances." (「2度とチャンスはありません。」) What about becoming a freeter? "Your life will come to nothing." (「フリータやニートになっては,人生台無しです。」) Surely, waiting to apply a year or two after college, you could still get a job based on your qualifications, right? "Dead wrong. Society will not accept you. Why? Because those who did not start working right outside of graduation are leftovers and defective merchandise." (「卒業してからでも大卒の資格で何とかなるわ…と思ったら大間違いです。 社会は受け入れてくれません。 何故なら,新卒で就職出来ていない人は落ちこぼれであり,欠陥品だからです。」)

All of the 2-ch commenters of course agree with this harsh analysis, and the message does not conflict with the standard understanding of Japanese education/employment systems. Let's face it: perfectly ordered society and second-chances are total opposites. The only way to enforce order is to guarantee that those going around the determined path will be permanently punished. The kid doesn't even get the chance to cry "wolf" the first time? Problem solved. Taking a year off to study for Tokyo University exams is one thing, but taking a year off to think about what you would like to do for the rest of your life... might as well be treason.

As much as the post-Bubble period was host to greater "Americanization" of the economy, the rigid employment system is facing no serious challenge. In fact, with more and more companies creating two distinct classes of "regular" and "non-regular" workers, the shinsotsu system becomes crucial for determing who gets to join the upper classes and who gets to receive the same limp salary for 30 years - within the same companies, even. Successfully making it to a four-year university in the first place means you have access to a possible corporate track job, and clearly, Kinki U. does not want to see their young get swept out into the harsh winter colds from which there is no return.

One of Prime Minister Honest Abe's big ideas for Japan is the "second chance initiative" for failed businesses. Students, however, may not be afforded that luxury. At least they will know at 22 whether their lives are total failures or not. Most people have to wait 40 years to find that out on their own.

You almost never see older students in Japanese universities-it seems you have to make your life decisions at 22 and follow through to the bitter end. It will be intersting to see if this changes in the next 20 odd years or if they continue to push through with the traditional norms.

November 23, 2006

The Juice In The News

All the hubub about the OJ confessional book and TV special and it's subsequent cancellation has inspired some interesting commentary. I have to agree that it's probably better (especially for the Simpson family) that the book didn't get released and that the special didn't go on air. I can clearly remember when he was aquited-I was doing my internship as a student teacher at Shorewood High School and overwhelmingly the kids cheered for the innocent verdict. To me, it was clearly a miscarriage of justice-of celberity over honor-wealth winning out again. It saddens me that so many people were so moved to harbor such misguided support for such a henious criminal, just because he is a celebrity.

In Salon Debra J. Dickerson suggests that OJ should have killed himself in the Bronco (this certainly would be the approach of a Japanese OJ):

How much better off we would all be, how precious that tiny shred of blessed ignorance about how far we haven't come might seem, had you, O.J., only been moldering in Forest Lawn these past dozen years. But you're alive, because you're a wuss -- a "remnant," as a girlfriend of mine scornfully calls the limping, deficient crop of men available to us as single mothers of a certain age. Like a herpes outbreak, here you are to plague us again. Since you won't die, who will finally, if only a tad, cleanse us all of the poison of injustice that infects us?

Perhaps a woman, an abuse victim, a medium who channels the battered everywhere, a virago in the original and true sense of the word. Judith Regan had to do what you and an army of lawyers, cops and filthy minded citizen-voyeurs couldn't.

Like most observers, I assumed that Regan, publisher of O.J.'s upcoming quasi-confession "If I Did It" and interviewer of Mr. Simpson on Fox for two separate hours on Nov. 27 and 29, was a bottom-feeding huckster willing to do anything for a dime. Or, I assumed that she was merely a bottom-feeder. But as I sat down to write this, I came to believe that, whatever her motivation, on some level she had to be focused on wringing a confession from the bastard, the only kind such a coward is capable of: a pitifully hypothetical one. Turns out, I was right in spades. I just hadn't known it was personal.

In Friday's New York Post, Regan comes out spitting and clawing and, frankly, breaking my heart. The pain and fury she suffered as an abused and unavenged wife sizzles on the page. In a self-penned article titled "Why I Did It," she writes, "I wanted the confession for my own selfish reasons and for the symbolism of that act." She says that her charming, accomplished, handsome first husband knocked her out and put her in the hospital. "I had once been that young woman ... who believed in the beauty of romance, the power of love ... Like Nicole Brown, I believed with all my heart ... and then got punched in the face." Ever since O.J.'s acquittal, which she predicted and which she watched, weirdly, in the company of Howard Stern, Regan says she has wanted some form of "conviction." "And if Marcia Clark couldn't do it, I sure wanted to try."

If it turns out Regan made any of this up, I may go O.J. on her myself and skip the suicide watch. But absent any proof to the contrary, and given the widespread and sadly unreported abuse of women generally, I believe her, as I never believed O.J. or trusted the proffered explanations of the bloodthirsty crowds calling for either his acquittal or his head. After a dozen years of abstinence, I will definitely be watching on TV next week as O.J. squirms and suffers and cowers before every woman ever pummeled anywhere by a sorry-assed man.

Turns out, it takes a white woman to clean up a racial mess she didn't make and drag us to where we should have been all along -- demanding justice. Nothing less, nothing more, nothing else. If Judith Regan is half the woman this coup hints at, by Christmas we may all be dancing on O.J.'s grave.

In Slate, Timothy Noah admits that he would still like to read the book and see the TV interview:

At the risk of proving this last point, let me state that those bootleg items can't turn up on the Internet fast enough to suit me. Yes, it's possible that this whole thing is a fraud—that Simpson's hypothetical confession is no such thing, but rather a tease or an evasion. I tend to doubt that, though, if only because the impulse even to tease would go a long way toward constituting a confession. (What innocent man would ever desire to participate in such an exercise? And incidentally, if the book turns out to be a 100 percent total fraud concocted by Simpson and Judith Regan, that's worth finding out, too.) Yes, it's true that if Simpson wanted to confess to the crime at this late date, it would be better if he did so directly to a law enforcement officer or a prosecutor. But that wouldn't spare us an ensuing media circus. Simpson's confession, assuming it is a confession, is news. It may also create an occasion for Simpson to be punished in some way for his awful crime.

Let's be clear. I despise O.J. Simpson as much as the next guy. But I despise him for killing the mother of his children and a perfect stranger in a pathologically jealous rage. I don't despise him for confessing to his crime, if that's what he did, or edging close to doing so. And I do not wish to avert my eyes from whatever it is he has to say for himself at this late date. To understand all is to forgive all, the old saying goes. But I don't want to understand. I just want to know what this son of a bitch has to say for himself. If anyone out there has a copy of this deplorable book, please consider sending it my way.

Paul's Boutique

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I recently finished another selection from the 33 1/3 series, Paul's Boutique by Dan LeRoy. Again it was another comprehensive look at a seminal album. This one is noteworthy since The Beastie Boys essentially re-invented themselves, record executives probably consider it a flop, a sophomore jinx in relation to the success of their previous album. However, artistically it is a significant achievement-one that couldn't be produced today due to laws regarding sampling. I was unaware of the influence of Matt Dike and the Dust Brothers Mike Simpson and Jon King on the album. hey helped tailor the sound with their inventive choice of samples and overdubbing helped create the revolutionary sound. But that is not to say that the Beasties themselves didn't make significant contributions either-it was an extraordinary growth session for them as well. They had time to slow down and did it at their pace after touring excessively with License To Ill. Their break with Rick Rubin also probably helped them take their music in a different direction. There are some entertaining stories about their antics and squandering large amounts of Capitol Records money on frivolous endeavors. It is a very well researched book that does a good job of explaining how it was recorded. I guess i would have liked to hear more about the impact of songs, unlike Frank Bruno in Armed Forces, and it seems as though the author is more objective and emotionally distant form the subject compared to Alex Green's The Stone Roses-I don't really know how this record affected the author. Le Roy is a journalist and that probably explains the tone. Interesting and worthwhile for anyone that has the seminal album.

November 20, 2006

Autum-From The Window

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